We have an image of the UK as one of the societies with a high level of concern on the protection of privacy. It is one of the few countries in Europe where there are no identity cards of any form issued by the government, and when, once in a while, an identity card initiative is proposed, it faces so much opposition that it gets dropped by politicians. The proliferation signs warning of CCTVs in operation is, at least superficially, opposite to this image.
Maybe the perception of the abundance of CCTVs was caused by the legal requirement to warn citizens of their existence, making CCTV signs quite ubiquitous in the London city landscape, but it certainly produced some estrange situations, like this CCTV sign besides a big graffiti (or street art?). Usually, the painting of street art such as this is somewhere in the fringes of legality, so the image makes you wonder what was first: the CCTV or the graffiti, and how those symbols of different lifestyles and attitudes ended up side by side in the street.
Beyond the curious image there is a whole reflection on how surveillance technology can change our habits and attitudes about the public space. Up to which extent do you change your behaviour when you know that CCTV is operating in a certain public space?, is the proliferation of surveillance warning signs going to trivialize it or, on the contrary, is it going to act to create social reaction to the technology?. And, of course, what happens when there is the possibility that some kind of surveillance is being done without any information signs?...
Panopticon or 1984, the fact is that surveillance based distopias are, today, part of our collective imaginary, so this is going to be an area of friction between technology capabilities and social expectations and concerns...
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